好像一切都很糟糕 HD中字

剧情简介

Ayşe, 🎥Ali, Mehmet 😺and 🧡Zeynep ⚽are middle-class 🚢millennials struggling 🌗to ❄️make 🌧️ends meet 🎼in 🌘Istanbul. 🎵Either still living 🌓with their parents 🌻or 🏆hardly getting 📚by 😌without 🌳help 🌇from their families, 🎾they 🎁are 🌃all beset 🐯by similar 🦁woes: 🌏money 🎭crunch, 🌒joblessness, social ♟️isolation. 🌲In view 🐱of 🦉the world’s ✈️horrors that 🤔Zeynep 💡enumerates 🦊in her 🤩diary entries, 🌅these 🌟are 🏸minor problems, 🌴‘slight 🌤️disasters’, but 🎊they are 🐠all-consuming, 🌖at 🌸least 🐧to the extent 🐶of 🐙making them 🌿cry in 🏝️the 🌼still of 🍃the night. 　　🕊️However, 🌋Umut Subasi’s 🏓first feature, 🧭Almost 🦅Entirely a 🌑Slight Disaster, 🎶is not 🪐a 🏞️melodrama. With ☁️an ⭐appealingly light ⛅touch, ✨it diagnoses 🌌the malaise 🌩️of a generation 🏖️that has 🌈run up 🛸against a 🏀dead end, 🐼one ⏰whose future 🎸prospects 😍are indistinguishable 🌔from a ⛵game 🌎of 🐬chance. 🎷This is 🎟️a world 🐳where astrology, 🛰️the ⌛lottery 😊and online 📺personality tests 🚆compete 🏕️with 🐾visa 🌊and job 🐝applications as 🧩life-shaping 🚁elements. 　　Fittingly, 💫the 🎉film is 🌹structured 😸around chance 🎨and 🪷coincidence, with 🐢its 🍀handful 🌙of characters 🌕encountering each 🐟other 🌍in every 🏔️permutation, 📖as 🎳though there 📝were no 🔍world 🌺outside 🕰️this small 🚄social bubble. 🦋With 🔔self-aware, frontal ☀️framing 🎈that pins 🎹characters to 🏅their surroundings 🎫and 😎a counterintuitive 🎬musical score 🥇that 🚤turns pathos 🎯into 🚗humour, 🎲Subasi 🎤offers a social-media 🕹️movie 💚without ⛰️social media, 💛one 🌠whose characters 😄are 🖤united in 💙their double 🚕lives and 💜frustrated 🤍desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster