好像一切都很糟糕

Ayşe, 🎻Ali, 🌇Mehmet and 🛸Zeynep 🌼are middle-class 🧩millennials ♟️struggling to 📽️make 😺ends 🎉meet in 🎥Istanbul. Either 🎯still living 💡with 🌩️their 🎶parents or 🏸hardly 🦊getting by ⏰without help ⌛from 🏀their 🌠families, they 🌻are all 🧭beset ❄️by 🎵similar woes: 🌏money 🎈crunch, 🚤joblessness, social 🌖isolation. In 💜view 🏍️of the 😄world’s 🌈horrors ✈️that Zeynep enumerates 🐧in her 🤩diary 🎷entries, these 🌤️are 🐯minor problems, 🐟‘slight disasters’, 🐝but they 🌆are all-consuming, ☀️at 📝least 😌to the extent 🥁of 🌍making them ⭐cry 🎲in 🗺️the still 💙of the ⚽night. 　　However, Umut 🌗Subasi’s 😊first 🦋feature, 🚗Almost Entirely 🕰️a Slight 🐙Disaster, 🏙️is 😃not a 🦉melodrama. With 🌄an appealingly 🔔light 🌟touch, 🌃it diagnoses 🚲the 🌓malaise 🏞️of a generation 😍that ⛅has 🥰run 🚢up 🎊against a dead 🛰️end, 😸one whose 🚁future 📺prospects are 🌴indistinguishable 🌅from 🐢a 🐠game of chance. 🦁This 🎟️is ⛵a world 🎞️where 🏓astrology, the 🏝️lottery 🚂and 🌌online personality 🚆tests compete 🌘with visa 🎹and 🌹job applications 🎫as life-shaping 🎮elements. 　　🎾Fittingly, the film 🎭is 🚌structured around 🚀chance 🌦️and coincidence, 🚕with 🚄its handful 🤗of 🏖️characters 🐬encountering each 🌊other 😎in ✨every 🏔️permutation, as 🎳though 📚there were ⛰️no world 🕹️outside 🌋this small ⛈️social bubble. 🏕️With 📖self-aware, frontal 🎨framing that 🐶pins ☁️characters to 🎬their 🌥️surroundings and 🐳a counterintuitive 🤔musical 🐼score that 🌸turns 💚pathos 🔍into humour, 🌲Subasi offers 🌳a 🏆social-media movie 🌙without 🌿social media, 🍿one 🧡whose 🌕characters are 🪐united in 🏅their 🥇double 🤍lives and 🍃frustrated desires. 　　🎸源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster